aibanokokuhaku: (Default)
 Lol.

My husband and I were doing ok ish in the US, but couldn't afford a house or to save for retirement despite our combined salary scraping 6 digits. We decided also, months before Trump got re-elected that he'd probably win, so we moved back to Japan. Well, back for me anyway, it's his first time here. 

We had to flip roles to make this happen. I'm working as a professor now, and my husband is at home with our son, though our son does daycare 20 hours per week to socialize with Japanese kids. My husband is job hunting, but nothing has come up as he doesn't know Japanese yet. So, he's mostly studying and helping with domestic duties. Although we didn't have enough savings for a down payment in the US, it is enough to move here and for a house down payment here. I don't have permanent residence yet, so it limits the loans and homes I can get a little, but there are some affordable houses in West Tokyo and Saitama we are looking at. We've been here since February and I already went to a concert (I saw Kep1er). 

I know Arashi announced they will have one last tour, but I will likely not go. Though I might stop by Keikarou and see Aiba's mom again. Idk if I will go to another Kishidan gig again. Maybe if I get invited, but I think I wanna see artists live that I haven't seen yet, since I get less opportunities to go as a parent. I think I will restart this blog to practice translations again. Let  me know what artists you want to read about. 

I do plan to stay in Japan for life this time, so I will work toward PR and Japanese fluency even more.

aibanokokuhaku: (Default)
 So, I noticed that people still stumble upon my dreamwidth once in a while. I guess in anticipation of the new year, I will explain why I disappeared!!!


I do have some more concerts and things I will go back and post on, but sadly, since February of 2020, I no longer live in Japan.
I divorced my ex husband for DV and was planning to spend a year in Korea so that my ex-husband would think I was gone for good as ex-husband stalkings are oddly common in Japan, then return to Japan in 2021. That was the plan. Two weeks before my flight (I had a job contract, visa sticker for Korea, everything) I start hearing about this Covid-19 virus. I decide starting in a new country during a pandemic would be too tough when I was already stressed from the divorce. I couldn't plan a new job and housing fast enough (I had quit my job February 8th), so I packed up and flew back to the US to stay with my grandma for a while. I was considering moving back to Japan after a while with a job lined up.... 

Lol.

I didn't anticipate the lockdowns and 1 year no-immigration to Japan. By then, I got tired of staying inside doing nothing with grandma (despite knocking out a Master's degree online while in lockdown) and got my own apartment in a nearby big city and began teaching in a middle school. But American schools are not like Japanese ones, and I hated teaching in K-12 in the US. Near the end of the first school year 2020-2021, after four months of hospitalization, my mother passed away of various ailments. She had dementia that came on pretty fast, too, so I think she probably didn't even realize I had divorced my ex-husband and moved back here, though she saw me in the hospital, but I have no idea if she recognized me because she couldn't speak anymore and never reacted. That messed with my head and made me very depressed. She passed two weeks before the school year finished, so I spent that whole summer laying around and crying. I went back to the school to work but I wasn't finding it rewarding, and the students were behaving much worse than the year before, except for the 6th graders, who were sweethearts and I still cherish my memories of them that school year. After that school year was done, I quit. I was paid through the summer still as that was how their contract works, and I rested (and noticed I got fat. lol I gained like 50 lbs from the time I lived in Japan until this point).

I was starting to feel better and began working at a university downtown as an ESL Professor, which I liked, since about 1/3 of the students were international students from Japan. It was fun and allowed me to use my Japanese skill, which I am still working hard to keep.

Class



The only reason I only did this job for one school year is the pay was not worth the hours. Teaching hours were 20-25 which are the only hours paid for, but I had to be in office as many hours as a full-time job, but once divided out, I was making less than my state's minimum wage. With a Master's degree, 10 years in the field, and Japanese skill, I found the pay to be unacceptable. It was around the time I began this job that I met someone and fell in love again. Halfway through the school year, just as I was exercising and lost 5 lbs-- I found out I was pregnant. So I finished the school year while feeling nauseous, and over the summer of 2023 I got married and we moved into a bigger apartment together. And in the second half of the school year, I began doing a second job on the university campus, exam proctoring for a big English exam on weekends. I continued this job until 4 weeks before my due date, and will be continuing the weekend exam proctoring in mid-January. I am currently interviewing for non-teaching remote part-time jobs to do during the week so that I can mostly stay home with my baby while he is little but also have my own income, as I refuse to let my husband pay for things like my student loans, the hospital bills from the birth, or any extra little "wants" I have.

My son was born the first week of November, 5oz shy of the line for being a "macro" newborn. I will give you one recent photo:

Son




So, I am interviewing for jobs that are remote, some of which use Japanese, so I hope to land one. I am preparing to take the ACTFL in Japanese at advanced level this upcoming year.

I guess also in 2024, I am trying to lose some of the weight I have gained (being pregnant I gained even more, and when I first came home from the hospital I was about 100 lbs more than I had been in my previous blog photos. Now I am maybe 30 lbs lighter... so I still have a ways to go.)

I also have only attended one concert in the US since I came back (Escape the Fate, Hawthorne Heights, Story of the Year) last year, so I would like to go to at least 1 or 2 concerts in 2024. I met Escape the Fate (I have a picture with them!), and also the singer for Hawthorne Heights, so that's another little story to tell.

As far as going back to Japan goes, unless my husband gets a good job offer there, I don't see us moving there. Visiting, yes. So I hope we can move to an area of the US with a Japanese community. As much as I do miss the life I had there, I am happy to have a family now, so I am glad that I get to have a life with variety-- I lived a very adventurous time in my 20s, and now in my 30s, I am enjoying a more domestic life, though my husband does support me doing what makes me most happy-- so he says I can do any of the things I want, like improving my Japanese, publishing a novel, getting fit, whatever, so that's cool. 

I'm glad I got to see Arashi live before they retired, and also to see Kishidan live like 6 times. In 2018/2019, I did go to more shows, especially kpop shows actually and met kpop idols, so I will post about that in the near future in my free time as writing practice (since I really do want to write a novel), so keep your eyes peeled for that!

See you in 2024!

aibanokokuhaku: (Default)
Hello,

For those of you who know my username and follow me on LiveJournal, this blog contains my Arashi magazine translations from there. However, it will also contain the following:

-Translations of anything related to Kishidan, DJ OZMA, Yazima Beauty Salon...anything Baba Nao basically (Show yan).

-Posts about interesting things to do and see in Chiba, especially related to music. (Concerts, shops, etc.)

-Goods I buy (maybe also sales and giveaways in the future)

-Ramblings

-I may also post links to fanfics as I post them to fanfiction sites. I've been writing creatively for 16 years and have a dual Literature/Writing degree so it's not new to me, I just haven't written fics in a short while...

- Other hobbies (I have begun dabbling in coding for programming NES games and I am on a real vintage gaming/computing kick recently).

I am busy working semi-full time as an English Teacher in Japan, and I am a housewife to a strict husband and a high-energy dog, so if my posts are a bit sparse, I apologize. Basically, this blog will be my hobby! So welcome!
aibanokokuhaku: (Default)
 On Friday, I had a singing lesson at 1PM. After it was finished, I had the afternoon/evening to myself, so I decided to take the train 40 minutes and go to Kisarazu for the first time, since Show-yan likes to claim it as Kishidan's home town. Though I can't think of any members who lives in Kisarazu. I mean, maybe Show-yan did, but he has mentioned his middle school before, and it was a bit further south, in either Kimitsu or Futtsu. I don't remember which. He has also mentioned coming up here to Chiba city to go to gigs as a teenager, so maybe I will check out the local music scene up here in my free time. 

Anyway, basically this post is me sharing my photos and my feelings about Kisarazu. It was just a quick trip, maybe 3-4 hours in total, and some fans who live in the city have invited me to come back and hang out and they want to show me some nice places in town, though they say the hard part is that the nice areas are hard to access without a car. I think if the city wants to revitalize itself, it needs to make itself more pedestrian-accessible and revive the area near the station. You'll see what I mean.

----

So first of all, I went out of the east exit of the station. (It is a very small station, it has only 4 platforms and two exits- east and west.) Conveniently, they do have highway buses from here to Tokyo, Shinjuku, and Yokohama stations, if you are a traveler. When I first left the station, I was greeted by this:



Cute, right? That's the mascot, a tanuki named Kisa-pon. 

There wasn't much immediately near the station on that side, but I noticed a mall called Sparkle City near the West exit, so I went over there. The mall is depressing. There's not much in it. Whole floors are empty, and the few floors that have shops have tiny clothing shops run by obaasans and there's still a lot of empty space. It's not a new mall, all of the signs that say "Coming Soon" don't mean anything is actually coming soon. I took a photo of a floor that had a few small shops on one side, but the other half was like this. 





I went for a walk and took various pictures, the aqualine bridge from the road, some dilapidated buildings (including a beautiful ryokan that was part of the set for the episode of Kisarazu Cat's Eye with Kishidan in it--what a shame!) and the (nearly) empty main street and sidewalk. It was Friday! Where is everyone?










I took a bus out the Mitsui Outlet Park next to see if I could get the new Kisarazu City PR pamphlet with Showyan on the cover. No luck, they didn't have it, just like the train station didn't have it. I have a fan friend who will mail me one for free, thank goodness, or I'd be irritated. The outlet mall brought in money for the city, which is good, but it was a 25 minute bus ride from the station and it was all brands from America, like Adidas?? Many of the people shopping there were Chinese. It was a strange experience. Maybe next time I will go to the Aeon mall instead. 



Here are some photos from near the station area, a few things I found interesting. The spraypainted garage door on an abandoned building and the mascot statue near the West Exit.





I got hungry and googled Showyan's twitter because I know he always talks about ramen shops. I saw at least three he recommended in Kisarazu city, one of which was at the station, so I ate dinner there. Like an idiot, I ordered both a ramen (yasashii ramen, or light oil, so it has clams, veggies, and just a touch of butter instead of mounds of oily meat) and the fried rice (chahan). The owner asked if I was sure I wanted to eat both by myself. Showyan recommended the chahan in his post and I wanted more veggies so I said yes. The portions were HUGE. I was soooo full! But the food was great, and as 80's rock ballads played on the radio and I sat, the only customer there at 6pm on a Friday, I began to feel sad. I think this town has a lot of potential and a lot to offer people. I hope it a nice revival. 



---




aibanokokuhaku: (Default)
 So, as I mentioned briefly at the end of my last post, my current job finishes at the end of February. My last day will be on the 26th. I was worried about money and whether or not I'd be able to attend any gigs, but actually, I already have another job lined up, and my first day will be February 27th. 

I am a bit bummed because I will be taking a pay cut (I'll be making about 12,500 yen less per week) but I'll also be working less hours, meaning I can fill the gaps with some private students or a more relaxed English cafe-type part-time job 2 weekday mornings to help make up the difference. My working hours will be Tuesday to Friday (15:30 to 21:00) and Saturday (an 8 hour shift somewhere between 10:00 and 20:00). This being said, I won't be able to swap days like I could at my old job since this company is only open on those days, and Saturdays will be nearly impossible to take off, I imagine. So I see the odds of me going to the Saturday for Kishidan Banpaku this year as nearly impossible, as well as the Halloween Party concert, if it's on Saturday again, which it likely will be. 

So far, this is my Kishidan schedule lineup for 2018
. I will edit this post if more shows get added/changed:

Sun, Apr. 29: hide 20th Memorial Concert, Odaiba, Tokyo. (Already bought ticket)

Mon, Jul 9: I LOVE YOU! I NEED YOU! tour, Mito, Ibaraki. (Trying to get ticket. Hopefully I can go!)

Sun, Sept. 16: Kishidan Banpaku (Day 2), Sodegaura, Chiba. (Tickets not yet on sale)

Nov-Dec??? Some kind of year-end event? They performed at Countdown Japan last year. 

If they happen to perform any gigs in Kanto between August 12th and 20th, my work will be closed for a small summer break then, and I can go see them then, too. I know, the odds are low. I'm also open to going to one of the club events Show-yan likes to appear at in Shinjuku/Shibuya or wherever during that time. We'll see if something happens!


Anyway, at this point I am hoping I can see them 3-4 more times this year (I saw them twice in January), which would put my total times seeing them at 8 or 9 by the end of 2018. This would basically put me on a schedule of, once averaged out, seeing them once per every 60 days since September 2017. Depending on how active they are next year, I'd like to see them 3-5 times in 2019, but also since it will be Arashi's 20th anniversary, I'd like to take some time out then to cover them and go to their concert. Especially because I'll be turning 30 next year... Already. :/

As soon as I get settled into my new job, expect a translation post finally! Sorry! I spent every day the last few weeks either working my current job or interviewing for a new one. I'm wiped out! Thanks for your patience!





aibanokokuhaku: (Default)
 January 27th:

I woke up early in the morning, cleaned myself up, packed up my belongings, and checked out of my hotel. I felt tired, sick, and was beginning to deal with bouts of nausea and vertigo. I knew it wasn't a virus, rather, I had pushed myself too hard and was suffering from exhaustion. I spent the day taking the bullet train to Nagoya, then a local train to Tsushima, as I was going to stay at a friend's house. I got to her house, and after maybe an hour of idle chat and a gift exchange (my birthday was this day but hers is February 4th so we always swap around my birthday), I took a bit of a nap and drank a ton of fluids, hoping I'd be fine by the next day. I also notified the online KISSES I interact with that I wasn't sure of my condition and that I'd be wearing my medical whistle just in case. I overwork myself from time to time, honestly. 

January 28th:

I woke up early, dressed myself in the same manner as for Osaka, and made my way to the venue, which was a short walk from Kanayama Station. I took my time and got to the line at about 12:00 this time. The goods sales started at 14:00 on this day, so I wouldn't consider myself early. In fact, instead of being 1st-15th, I was finally a bit farther back in line for a Kishidan event, as in 35th...out of the couple hundred people who would try for autograph tickets. It was savagely cold in line but I was happy to get a chance to meet another member-- this time I produced Tommy's slip!



I didn't know how well I would handle being out in the cold, so I headed back to Kanayama Station and spent about 90 minutes alone in a Saizeriya (family restaurant). I had warm food and got warm drinks at the drink bar in a tiny booth packed away in the back corner of the restaurant. Near the restaurant, a giant gob of nicely-but-plainly dressed girls were doing their own meet-and-greet with some idol group called Super Dragon. Just walking by them to get back to the venue at about 16:00 felt odd. I spent the last hour before the hall opened chatting with KISSES. One regret I have is that DJ AZMA (a famous DJ OZMA impersonator) was there and I wasn't assertive enough to get to take a photo with him. I should have tried harder. 

Again, the concert was similar to the previous two times. I had a middle-aged friendly lady to my right who chatted me up and helped me cheer for Ranma-chan even though she was a Show-yan fan. This time my seat was floor 2, row 3, seat 16, so even though I was 2nd floor, I was near the front of it, and the people in rows 1 and 2 sat down a lot for some reason, and being on the lefthand side meant I was in front of Ranma chan. Despite the distance, with my bright orange on and unique way of moving and whatnot, I am sure I was noticed, though Ranma chan doesn't give much indication that he is looking at anyone in particular most of the time. The roulette spinner was a middle school girl, so even though she missed hitting "Spotlight" even with Hikaru's help, in the end Show-yan moved the roulette to "Spotlight" and they played it anyway, probably because the fan was so young. How sweet. Show-yan didn't overly gab, but his speech felt so much more final-- Nagoya was originally the last show on this tour, but they added Nakano (Tokyo) on February 10th, which I can't go to because I have work. 

After all of that, we got in line for autographs. I talked to a lady behind me in line who works as a kindergarten teacher. She was happy to hear that I also teach young children. We got along well and I was concerned about her ability to catch her last train home, but she said she'd be fine. I hope she made it home OK. Anyway, I got to meet Tommy-chan, and he is such a sweetheart. I noticed other people at this signing were, unlike at the last one, kneeling in front of the tables so that they could make eye contact with the members. I did this, putting myself on my knees.

My fingers rested on the table and I cocked my head to the side slightly like a child, and then began to ramble almost incomprehensibly. "Since I was young, I've always liked punk rock..." Tommy's eyes darted up to mine. "Hmm?" he said inquisitively. In a very Midwestern accent, I switched to English on accident, saying, "Punk rock. Like the Ramones, Sex Pistols..." He understood, "Ah! Punk! Ok!" and nodded to let me finish my original thought. The break in what I was saying lead to a disconnect. I didn't make much sense maybe, as I finished it with, "So I'm really looking forward to your future lives!" I figured he might not understand the moment I said it, but he seemed to be able to fill in the blanks, that I could see how he was inspired by good music and how it reflected in his playing. He was smiling. He did something I hadn't anticipated-- he slowed down his writing as slowly as possible, and then he asked me a goddamn question. "Have you ever seen the Sex Pistols in concert before?" I was taken aback so I switched to a more formal negative response. "No, I haven't." He finished writing and looked up, flashing his trademark grin. "Well, I've gone and seen them before!" He said it in a very macho way "ore ga itta koto aru da ze!" I could feel my pupils dilating at the thought of how cool it is that he's seen them, most likely during their final tour in 2008, so sans Sid, but still very cool. So my response was to gasp and say "kakkoii (that's so cool!") and he reached out and gave me the best handshake I have ever received from a Japanese person. Yes, he is hecka tall (6'6"?) so his hands are huge, but he applied the perfect amount of pressure and grip, and his hand was warm without being damp, and his shake was gentle but sure. It felt so perfect (and so oddly American). I really wish I could meet him more organically and talk with him about music, but that will probably never happen. I thanked him quickly and headed back for my friend's house. Here's Tommy's signature:






January 30:

Not too related but I figured I would mention it here real quick.

This didn't happen until I came back to Kanto of course, but I went to the doctor in Omotesando that morning for some chronic issues, but I had time to kill afterward so I went and saw Yukki at the Naka-Meguro Tears of Swan shop again. I bought one of the zippered beret hats. I could have chosen a two-tone one with my favorite member's color, but I went with solid black so that it would match  my winter coat, like this:



I didn't spend too much time in the shop, as Yukki was super busy making something and I figured more customers would come in soon since the shop was having a sale, but as usual, Yukki was cheerful and kind. 

---

Since my current company is closing at the end of this month, I probably won't be seeing Kishidan again until this summer, but in the meantime, I'll make posts about goods I have or translations from time to time, so stay tuned!


aibanokokuhaku: (Default)
I tried writing this long blog post once already, but halfway through I accidentally closed the wrong tab. *sigh*

This post is going to be very long and will include a lot of details of my experience that maybe you don't necessarily care about. 

It's mostly for my own record, because so much happened. I may edit this post later to add more details as I recollect them.

---

January 24th:

I was still working this day, but it was Hikaru's birthday!

bday boy 

I ate a pudding and fruit parfait to celebrate after my lunch break. Yay!

January 25th:

I took the bullet train from Tokyo Station all the way to Shin-Osaka. I had meant to reach my hotel as soon as check-in started (16:00) but due to heavy snow, a suicide on the line I live on, and other stuff, I didn't reach my hotel until 18:30. It was a pretty exhausting day, but my hotel was only a 6 minute walk from the Orix Theater, so I wasn't too worried about the next day. 

January 26th:

I spent the morning getting dressed and ready while also nervously listening to 90's-2000's punk rock (Rancid, Bad Religion, NOFX, etc) to get myself pumped. I made myself up and looked like this. Basically I would be easy to recognize for the other fans and the band alike. The venues on a hall tour are small enough that I was probably noticed. 








So I get to the venue at like 11:30am. There's no one there. Well, almost no one. Businessmen are milling around, and some strangely-familiar man walks buy in a white tracksuit at some point. I gave him a curious glance and looked back down at my phone. I wouldn't realize who it was until later...


About half an hour later, some other KISSES show up. You know, like these folks, one of which decided to go out for udon with me after knowing me for merely 2 minutes:



Or this guy, whom I talk to quite regularly on twitter and he made sure to wish me a happy birthday (since there is no GIG on 127 day)!



Anyway, the wait for the goods line was long, and Shin-Osaka was very cold and snowy, and getting worse by the minute. By the time we were let in (15:00), I was exhausted. Of course, this was still hours before the show would begin, and we were only allowed in to buy goods, including the very limited autograph tickets. ...I bought my ticket and had to reach in a box held by manager Kobayashi to find out which member I'd get to meet. When he called out "Ranma", I made a very dramatic fistpump and yelled, "yatta!" Much of the staff and many people behind me laughed. How embarrassing. 



I spent the remaining almost 3 hours before doors open at a cafe with several other KISSES, drinking hot coffee and exchanging sweets. Someone gave me an orange button that said 不良 on it. It seems like buttons are a common gift. 

Finally, 18:00 rolls around, and I go by myself to find my seat. Floor 1, row 19, seat 35. The two seats to my right were empty the entire time (I am guessing with it being flu season someone got sick), and to my left was a mom, dad, and their 3 year-old daughter. The dad was wearing red for Show-yan, mom was green for Matsu, and the daughter was orange for Ranma. She was so cute! The mom was also very friendly and guided me and her daughter through the dances together during the concert. 

Mostly the concert was the same as Ichikawa, of course. It's the same tour. I can confirm that they played a few other songs, like ジゴロ13 and うすぴた (which was the a-capella song I was talking about at Ichikawa). The person to do the roulette was a teenage girl who wanted to hear Baumkuchen but got Aokidokusaisanitsugu. Whoops. Hikaru kept trying to spin the wheel extra times to get her song, but after the fourth try he gave up. 

Show-yan got scolded for this afterward, but he spent a very long time (30-40 minutes) talking about when he first worked at the club called Los Angeles in Tokyo (it still exists, I may take a day trip there) with Ranma and Tommy. He talked about their weird, uncool quirks, but it made them seem all the more endearing. Ranma-chan had to train Show-yan but seemed like a sweet child more than a senpai, telling him what to do kindly and gently, with long hair and these weird taped-up broken Coca Cola glasses that Show-yan still remembers with fond discomfort. Tommy was too tall for the building's ceilings and walked with his head at a 45 degree angle. He also carried an old style runaway knapsack, like the tablecloth knit type slung over his shoulder. He'd wear tight jeans, black boots, this bright red sweater and carry this sack around... Show-yan eventually found out Tommy carried this pack with him everywhere just to house his contact lens case, when it could have easily fit in his pocket! What! He mostly skipped over the story of Matsu, talked about how Hikaru became Hikaru because they've been friends since elementary school so there wasn't much of a story to him joining. But apparently overnight Hikaru became the type to shout and when angry, probably due to the fact everyone started suddenly getting taller than him, and he was always wearing this Tomoyasu Hotei shirt under his school uniform... Hahaha omg. It was at about this point that Hikaru mentioned walking around outside the venue this morning. I screamed! The story of Akira joining was also great, just the way he told it. Kishidan was playing a GIG out west, and suddenly Yukki couldn't play his part for the encore at the end of a show, his hand was hurting so bad (from dystonia). So Show-yan asked if there were any drummers that could fill in. Akira did! It was gonna be a one night thing, but as Yukki decided he needed to stop drumming, the label searched and searched for a drummer to fill in. They couldn't find anyone. So guess who approached Akira himself? Show-yan. And even now Akira calls himself a support drummer, but it's been five years. Join the autograph sessions, dang it! Be in the band already!


After the concert, we lined up for the autograph session. The members could only sign up to 6 characters of katakana for a name, and as you can see from the photo, my name was spelled wrong. Ahahaha. But yeah, waiting 10 minutes for this interaction made me more nervous than if I had the chance to approach him organically. I had so many things I wanted to say to Ranma-chan, but I simply mustered a, "Sorry if my name is difficult" and he said, "Oh no, it's no problem!" and I watched him sign slowly. He went one stroke at a time. I knew it would be difficult for him to write (Subarachnoid Hemmoraging does that to someone) but it was heartbreaking. Silence filled the seconds. He went to hand me my autograph. He looked up. Our eyes met, and then our eyes locked for several seconds. God damn, he is a gorgeous human and while I always liked him before, it was a distant idol crush. In that moment, I was head over heels. But it makes me wonder, why was he staring back so intensely? Before I knew it, time was up, as dictated by manager Kobayashi. I thanked him and ran off, forgetting to get a handshake. Just... wow. 



I returned to my hotel exhausted, an hour before my birthday would begin...
aibanokokuhaku: (Default)
 This band gives it all. That feeling like you're watching a variety program. The crazy parodies. But underneath their goofiness is a serious message. They've got 18 singles under their belt. It's been nearly 4 years since I've had the honor of interviewing this band. But even now, Kishidan holds a very serious place in my heart. And with 15 years under a major label, I have to ask, "What now?"

When we first entered a major label and began trying to decide, "What makes a successful album", that was hard. We had to think about every little detail, but we also had to make sure we liked the choices we made. Each album becomes the "soundtrack" of the tour that follows it, so we had to think of our albums that way. "How can we perform this song? What kind of reaction do we want?" When we started writing songs for this album, it had already been a while. In 2009 we had two days at Budokan, but it was announced really suddenly. We had already toured a lot, and we were worried about those days not sell out. We didn't want our core fanbase to not have enough time to prepare or gather up funds if they wanted to come, so that was the most difficult time so far on the label in regards to organization. It was a hot offer, to ask us to play at Budokan. But the feeling from the experience was a bit cold. 

Did you tell them that directly?

Not quite like that, as I didn't want to tarnish our relationship. But I told them we need to be careful and consider the people who come to shows. Slowly, even us band-mates were getting a strange air from the situation. The atmosphere completely changed. If people can't come see you, who will buy your CDs? Being on a major label guarantees nothing.After that mess, we did do our usual "Kishidan Banpaku" and that felt a lot more right for us. One year, the label was thinking of dropping us, and wanted to cut things off right after Banpaku. Some executive didn't quite get us and thought we were just a comedy act. He couldn't understand why we were signed so long until he came to Banpaku that year for himself. After that event, we began thinking about "What is Kishidan?" And how to go back to a sound more similar to our early days without alienating younger fans as well. That is the balance we've been seeking. I think the best way to find the answer is to look at the bands we look up to. What worked for them, what didn't. Would it maybe work for us.... Things like that.  So I guess our sound now is a bit like, "What? Is this current music?" If they compare it to our older music, maybe the fans won't find it shocking. However, we wanted to give strong lives. I think even just between the last 2 years, we have performed with 50 different groups, most of them being our senpai. We're still learning and growing thanks to them. 

It seems like you're always putting your heart into your music, or at least showing your heart to those who care to listen to your band.

Well, more than just us, a band really is, in a way, everyone. It's identity is shaped by the management, the fans, the staff, senpais, kouhais, everyone.. Even though I've become some kind of "face" for the band, Kishidan is definitely not just me. I think whenever this band ends, it's going to be hard to let go. We were having a rough patch for a while, and I thought we'd go until we performed at Tokyo Dome and then consider a finish, but it didn't work that way. We're still here. We're not selling as many seats as we did 5-10 years ago, but we have a smaller core group that consistently comes to shows. We sell out medium-sized venues now instead of domes, and I'm OK with that. In 2001, when we first decided to aim for Tokyo Dome, we knew that meant we needed to be able to pull nearly 100,000 people, since Tokyo Dome requires you to at least be able to fill the dome for 2 days. You have to do 2 shows. Our goal was to hit that point in 3-5 years. We did it, we played there in late 2004, but when we got to that point, we didn't know what to do after. Of course we kept going, but these kinds of things inspired the song "Kenka Joutou!"

How has the label been when making your latest album, Furyohin?

Making this album was a bit tough. We did things one at time, like worked on only one song at a time. The lyrics were quite serious and I wrote it with a very "thank you" feeling. There's been so many ups and downs and times we've almost ended. This was another one. I thought, "This may or may not be the final release". In 2006, there was one time we stopped the band for a while. If I could go back, I'd be a better leader and try to keep things running smoothly. From here on out, I can only try harder. I hope we can continue for a long time. 


aibanokokuhaku: (Default)
 I don't know where to start. 



First of all, there is the hall-- it seats about 2,000 people, spread out into 2 floors, the second floor being significantly smaller than the first. I was orchestra pit (the front 150 seats), 3rd row, near the center, slightly left (in front of mostly Hikaru and sometimes Show-yan). The weather was chilly, windy, yet sunny, and when I first made it to the venue, it was 11:30am-- I was literally the only person there. I decided to go to lunch nearby and come back in an hour. In that hour, a sign asking for the goods line appeared and 12 people were already waiting. I joined the line and waited 2 hours for the beginning of the goods sale. By the time the goods sale began, there were probably at least 1,000 people waiting in line behind me, so I was happy to be early. I was out of the line and with the items I wanted in 10 minutes-- the staff had no problem understanding me and my requests. Thank goodness! Not counting the few Tommy items I got for a friend, here are the goods I picked up for me: 



At this point, I still had about 3 hours until doors open for the actual performance. But not to worry! A LOT of KISSES wanted to chat, so we hung out! Here are some pictures (edited for privacy. Also, I didn't ask anyone for pictures; these are all people who asked to take photos with me and sent me copies.)







It happened like a chain reaction. I am very clearly not Japanese so people were looking at me a lot but not approaching me and I was feeling shy. As soon as one person braved talking to me and others realized I could speak Japanese, the floodgates opened, and I made many friends. :)

Before I knew it, it was 5:45pm and so I went in and found my seat. I was enjoying the steady flow of vintage Japanese rockabilly music flowing from the speakers. A popular member of the KISSES community (playboytakabow) was exactly 2 rows in front of me in the very lucky seat 1-27, but I was again too shy to say hello. I mentioned it to him on Instagram afterward and he told me to come greet him next time! Whoops... The seat to my left was empty until just before start-- a 40-something year old in a very beautiful blue embroidered jacket and Union Jack shoes sat next to me. I complimented her shoes and we became fast concert buddies. She was obviously here for Hikaru so I had to put a lot of energy into my dancing to show my respect and support for her sake and for Hikaru both. 

As soon as that opening chant of BE MY BABY started I was pumped af. They seem to start every live with that opening and so I salivate like one of Pavlov's dogs as soon as that hits the speakers. To be honest, it was a 3-hour concert, and I don't remember every song they played, and there was a crazy 5-song medley in the mix too, and just ... comedy bits thrown in and a video, and a random chat break with Show-yan and some actors that attended his same middle school... it was chaos. Here are the songs I do remember hearing, in no particular order:

房総スカイライン・ファントム (this was definitely the first song though)
甘い眩暈
湾岸夜想曲~ルシファーズ・ハンマー’94~
鉄のハート
黒い太陽
One Night Carnival (I have officially heard this song live 3 times now. Great every time!)
恋人 (Finally! And yes, they did the Show x Hikaru kiss, and Hikaru was way too into it)
330 (this was part of the medley for sure. I'll explain the medley thing further down)
雷電 (This song is so good live, it's been stuck in my head every day so far since)
Peterpan Express
スタンディング’ニッポン
キラキラ!
SECRET LOVE STORY
愛 羅 武 勇
勇気
潮騒の子守唄
喧嘩上等 
Don't Feel, Think!
トミーのここまで言って委員会(仮)(This was also part of the medley)
幸せにしかしねーから 
オールナイトロング (I about died. I love this song.)
ライバルズ
BANG ON! (This was the last song. Wait til I explain how they decided to play it.)

I feel like there were more songs than this, these are just what I can remember at the moment, 3 days after the concert. 

So, yeah, after the first song, there was an opening video explaining the theme. Hikaru was all made up as an old man sleeping in a recliner and his granddaughter and her school friend snoop through his stuff and read his diary about how the band was formed. So like, the video cuts and these famous actors are on stage narrating the diary entry, while the members of Kishidan take turns acting out the narrations. It's hard to explain but it was quite cool. Of course, the boys would argue with the narrator sometimes. "I didn't say that!" "Well, it's what's written" "Well, I did NOT say that!" or "I don't talk like that! I wouldn't use that word!" It was a riot. So those narration interludes went on every once in a while. 

The medley was a 5 song clusterfuck. The members of Netsubi DANJI of course were there to help out. As each member's song would come on, there were different reactions/dance points we had to do. I was too busy trying to remember what I was supposed to do, but I do remember Matsu's bass solo being pretty epic. 330 was Ranma's part of the medley, and we had to para-para some flowers at him, if you know what I mean. For Hikaru, we had to wait til he jumped forward and do a fighting pose and shout his name. Lol the other girls around me were like "*Satome~*" like all cutely and I growled that shit like I was ready to actually fight and I know we made eye contact so I did it again even louder and he looked so ready to throw down. I'm glad I pumped him up. That man is a BEAST. For his part and Show-yan's part of the medley, they were fighting some other gangsters on the stage and doing crazy jumps and shit. To be honest, through this whole thing, I was shocked at how fit and athletic these guys still are. Like I know all of them don't have publicly released ages, but I know Show-yan is 41. Like wow. I know being active in the fan community and just learning these dances is making me more fit, but damn. 

So yeah, at some point Ranma moved to center stage and we were asked to "quietly enjoy" All Night Long. It was so hard to not cheer or sing along too loudly, since with him at center stage singing as softly as he was, I know for the people around me, my sound would have overpowered his. Whoops. He sounded a bit shaky and weak at the mic, like more than usual, like maybe he was recovering from a cold. I wonder if we caught one at the same time. But I enjoyed hearing him sing all the same. So as soon as the song was done, I cheered as loudly as I could.

At another point, the guys did do an acapella song, but for the life of me I can't remember what song it was, sorry! They sounded really good singing as a quintet. They have a good range of voices, to be honest.

Another thing I want to point out was that Akira did a really kick ass drum solo, though it could have been a bit longer in my opinion. He tweeted afterward that he picked up a new technique freestyling during that solo that he wants to use in the future. I wonder what it was. 

Everything is a blur, but I do remember Hikaru wearing a cheerleader outfit at some point (was the whole band wearing them? Maybe just Hikaru?) I can't remember because I could only look at his... strong, thick legs and flashes of his red boxer briefs. I just couldn't look away. I was mesmerized, and the Hikaru fan spazzing next to me wasn't helping. I am definitely an easily distracted person. 

So near the end of the concert, the band wants to perform one song off of the new album, but they can't decide which song. They brought out a big spinner wheel, some racks of costumes, and they came out in track suits (omg Ranma's orange track suit was so cute on him!) Anyway, they pull one seat number out of a box. I am thinking they put in every seat that had "27" or "127" in the box, which means with my seat of "floor 1, row 3, seat 27" I might have had a chance. Anyway, the winner was "floor 1, row 27, seat 19" and in a sea of 95 percent female fans, a 50-something year old chubby guy with glasses comes ambling down the aisle. It was great. I remember the guy saying he was from Isumi city, Chiba prefecture. He said his favorite song off the new album was "Baumkuchen". That's fine and all, but since they played that at Kishidan Banpaku, I didn't wanna hear it again; I wanted to hear a new song. He spins the giant wheel, and it goes past his song just barely and lands on BANG ON! . The band give the guy a present and send him back to his seat before beginning ... a public clothing change? Oh my God. I mean, they were wearing boxers/briefs and t-shirts under the track suits, but it was really hard to focus and not get aroused. Everyone looked so fine....EVERYONE... and then Hikaru just rips his track pants off and starts dancing in his underwear right in front of us. Just... really enjoying it too much... like Show-yan had to stop him because he was taking too much time. He was just right up in our faces shaking his booty like he was getting paid to...Oh wait. So as Hikaru is finishing getting dressed, Show-yan mentions how members sometimes put on each other's costumes, so they sometimes perform dressed awkwardly. Tommy's jacket was a bit too short for his torso, and who knows if it's his jacket or not really.

Of course, Show-yan chatted up the audience a ton and did his whole, "Kishidan is you guys too, WE ARE KISHIDAN. I love you!" speech. The main message at the end is that they intend to continue on with Kishidan for as long as possible with the fans. I thought that was sweet. 

It was such a good time, but I am kind of peeved that they didn't do an autograph session for the first day. My birthday is January 27th, so I guess I'm just going to go to a January show so that I can meet Ranma. So expect another report then! I know there's so much I wanted to say that I am forgetting. All well. 

aibanokokuhaku: (Default)
 A lot has happened in the past 10 days and I haven't talked about it at all. And yet, in another, less than 48 hours, I'll be 3rd row seeing these guys AGAIN in Ichikawa... So lemme catch y'all up to where I am now. 

So, I got a lot of stuff done. First of all, I went to an arcade in Urayasu because for 1 week only, they had Kishidan plushies in their claw machines. I spent a bit of cash and managed to fish out 2 Ranma plushies, one big and one small. I sleep with the big one sometimes. :P





*****

The next thing that happened was on October 28th. I went to Makuhari Messe for the VAMPS Halloween Party. It was pretty awesome. The stage was all crazy Halloween-looking (I'd share a pic but apparently it's against the rules, even of the empty hall?). The music playing before the show was the Nightmare Before Christmas soundtrack. The damn event was five and a half hours, but the bands, and getting to see every group in costume, was well worth, the boring MC chatter and Halloween activities in-between. Basically, the lineup went like this:

BREAKERZ
FLOW
KISHIDAN
MOMO IRO CLOVER Z
VAMPS
MIYAVI (with Hyde)
HALLOWEEN JUNKY ORCHESTRA

So, first of all, I had no idea Daigo was in BREAKERZ because I am an idiot. He was fun as hell to see perform in a tiny skirt nonetheless, so even though I wasn't familiar with this band, I had a good time. FLOW I had seen before in Chicago at an anime convention (ACEN) in 2011, so I kind of knew what to expect. The whole band dressed as Naruto. As expected. 

KISHIDAN came out dressed as SMAP. No lie. The red suits. I'll start by explaining their setlist:

One Night Carnival (Forever 5 version, so basically remixed with SMAP and some lyrics changed)
喧嘩上等
ライバルズ (氣志團 ver.)
One Night Carnival
涙BOY涙GIRL (世界に一つ ver.)

I was very lucky to be near the front in B Block, meaning on the side where I believe Tommy and Matsu usually are. Everyone else is in the audience is wearing like black, white, red, halloween-y costumes and I dressed full-out bright orange and black with my custom embroidered jacket (which I will probably wear on Thursday as well). I stood out like a sore thumb. I like to think Show Yan and the others only paid me as much attention as they did because they were making good on Show Yan's promise to me 2 days before, but I am probably just a daydreamer. Here's the tweet I am talking about, as well as my bright as heck jacket:







So yeah, during this whole thing, I get a few waves and glances from Show Yan, Ranma literally keeps throwing things at me (they're supposed to throw gifts and candy-- I caught 2 pieces from him and a pin that says "SHOW" on it), I awkwardly bowed slightly while everyone was cheering at Tommy because I thought we were making eye contact. We were.... he SAW ME AND DID IT BACK. He's so tall it looked like a damn tree falling over. Show Yan also tried to throw me this big stuffed bear but someone caught it a mere 2 people away. All well. So yeah, I felt a bit special, not gonna lie. Here is a pic of the stuff I caught from Ranma chan as well as 2 fake pirate coins I picked up during VAMPS's set. 





So yeah, I had a pretty good time when they were out and about. I think there weren't many Kishidan fans there (most people were there for VAMPS) and with me being so dang bright orange and near the front I think I was an easy target. During VAMPS and Miyavi, I relaxed and let other fans catch everything being thrown out. For VAMPS's set, their Pirates of the Caribbean costumes were phenomenal and their set was awesome, with pirates and fake boat and Hyde climbing and singing from the mast. He also made some weird jokes and seemed so at home on stage, ripping off his fake mustache because it was tickling his nose and affecting his singing. lol I didn't realize so much of VAMPS's music is in English, and it was weird hearing him pronounce, "Are you fucking ready?!" so natively. For Miyavi's set, Hyde sang and so they did perform "All My Life" as one of their songs, which is on the new Miyavi album that comes out tomorrow. It's a catchy little tune. 

At the end, everyone came back out for the Halloween Junky Orchestra thing, where they sing their Halloween Party song for 10 minutes straight and toss out more candy before the show ends. Kishidan had changed their clothes and were wearing Happi, so there was a lot of man-leg to check out. There were a few moments that made me bubbly, watching Show Yan and Ranma having a little side conversation at one point, and Show Yan and Miyavi exited the stage together, hands on each others' backs at the end. 

Anyway, it was a good time, and as long as a few bands I like do it next year, I will probably go again. 

*****

Last thing! So on Saturday (the 4th) I went to the Tears of Swan atelier shop in Naka-Meguro, Tokyo, even though I was dying of a cold. (My cold is almost gone now so I should be ok for the concert!) I went because I heard Yukki would be there hosting the shop and selling some handmade goods. So I did 4 hours round trip on mass transit with people coughing in my already sick face to meet this man. It was worth it. 

I went in the moment it opened for the day and I was shocked-- Yukki was the only person in there. No other staff, no other customers. Just me and him. For the whole 20 minutes I was there.The first thing he asked me was if I wanted tea or coffee or something. I asked for water, thinking he'd just hand me a bottle. Do you know how weird it is to have some musician you admire prepare you a proper glass of ice water and serve it to you? It feels so out of place. He keeps asking me questions, I mention my cold and between the headcold and pure confusion my answers remain short. I was so unprepared for this encounter, I didn't bring any CDs or DVDs for him to sign. I didn't ask him to sign anything, but he brought it up. He signed a flyer and gave it to me-- but maybe he was feeling odd too, as he dated it for October 4th... I didn't say anything about the wrong date. I bought a pack of iron-on patches for 3000 yen because they are the only thing that say "Yukinojoe's Handmade" very clearly on the packaging. I also didn't ask for a selfie with him, but he offered and took and operated my phone for it. He mentioned my hat being one from Kishidan Banpaku. I responded just with a "yes, it is". I should have said, "yeah, and it was great to see you there!" or something... I'm sorry I was so sick, Yukki! So yeah, he was so extra with his goodbyes and told me to come back. I wish I could, but I don't know if I have time to come back to a limited time shop so far away. If I can make the time, I'd like to write and deliver him a letter. So anyway, here's my selfie with Yukki:





****

Sorry this post is so long! After Thursday's concert, I'll be sure to update again!

aibanokokuhaku: (Default)
 Is that the real reason you decided to start DJ OZMA? To promote yourself?

 

Yes. I mean, that's what I had in mind when I started, and I knew I wanted to stick out like a sore thumb in Tokyo to get people's attention. I mean, when I first started in Tokyo, I thought there wasn't much interesting going on in the scene compared to elsewhere in Japan. I mean, like in Ebisu, I could real feel a lack of love for rock music. So, I really had to believe in what I was doing to put myself out there. That's why DJ OZMA had to musically combine many styles and couldn't be as heavy on rock as I grew up with in Chiba. I had some extra help from my senpai friends too, though our music styles didn't match well at first, we had to find common ground to blend ideas together and make a project that was digestible. We decided the best way to do that was to go all-out with my character, and so we decided a late 90's Roppongi clubbing type feel might work. We also thought about doing a drag queen character at one point, but we weren't able to flesh out the idea well enough at that time to go with it. So we decided to risk it all in a big Tokyo event and really promote this character, and use songs with kind of a bouncy, happy, party atmosphere. The rule was never to break from “party mode” with this image. And so that is DJ OZMA.

 

Just this spring you debuted under EMI so is there a good story about the event itself?

 

Well, ah, yeah. At first I was going to have a full-live band. But I was worried that the band image would become the main focus, and that the character of DJ OZMA would get put on the back burner. Some of the members of the band didn't have the right personality either. Like they didn't have that “fun” energy. So the unit got changed around a lot, to the point where we changed the idea from “live band” to “club event” because it just made more sense. My family and friends from high school did come to the first event, and they all approved of the character, saying a band wouldn't fit well with the message I wanted to convey. I want to do so many things with this character, maybe too many, but I want to take it on myself as much as I can. If I had a live band to manage with this project, I am the type of person who would be worrying about them all of the time. DJ OZMA would suffer with too many members. From a long time ago I wanted to do this project, but the label wanted to outfit me with a band, so I had to make my case for why this project would be best without one. If I debuted with a band, DJ OZMA would be more like an idol group than anything else (laugh). It would be like Cirque du Solei, having to manage a tribe of people!

 

So you really had to stand up for yourself to get this off the ground.

 

I feel like all in all, this was a project that was 10 years in the making, so I didn't want it to be anything other than what I wanted it to be. I mean, I didn't want it to be like an airplane-- take off incorrectly, and you'll soon hit the ground. DJ OZMA needed a strong debut, and using a live band was going to ensure a failed launch.

 

Other than the live band, were there any other big decisions made? Like things that you decided to do instead of not to?

 

There were some things that I wanted to do that are too big and out of budget, so I am hoping DJ OZMA gains some popularity, so that I can as an artist reach my full potential with this, of course. We also almost had a fourth member at one point, but decided these three were best. Pancho and King just fit best. I also thought about changing members every album at one point, but decided not to either. I guess I can only think of ideas that didn't make the final cut! I don't want to give away too much about what I might still do.

 

Could you imagine? Bringing out different members suddenly without announcement, how the color would drain from everyone's faces in shock?! (laugh)

 

Ahahahaha, that's true. But I think I want DJ OZMA to be more welcoming and straightforward in that sense. I only want happy surprises, and I like the idea of OZMA having reliable party friends. I also want the audience to do a lot of callbacks, like in older lives. Lots of interaction. I want to entertain, not just hop on stage. So I want everyone to feel comfortable with DJ OZMA. Switching members suddenly would be funny, but might take away from the warm atmosphere. I want the kind of act that middle school me would enjoy, that music nerds around the world would find some value in, whether the music is quite to their liking or not. Deep belly laughs are welcome. I want to put on fun events, and have everyone in the audience making noise.

 

Is there anyone that you've had trouble working with on this?

 

Yes, there was producer. This guy didn't understand my thinking at all. He usually produced bands, and not anything like this, so that was probably where the disconnect was. So I had to step in and do as much as I could myself, which he wasn't sure how to feel about but I told him I'd take the blame if I messed anything up. I believed that much in what I was doing. He still got paid the same, so he let me get involved with producing, but he seemed unsure of me. From start to finish, there are lots of situations where I was angry, or blissful, every emotion in the book. Even times where I thought about quitting this project before debut. But I'm glad that I saw it through, because I think DJ OZMA is successfully conveying what I wanted it to. My friends were the most understanding of my goal, and without their help, DJ OZMA wouldn't have had a future. So really we can credit them to my success. I want to follow my own character's lifestyle and party. It was definitely a “work, don't run” kind of process. But I guess that generally, life is like that, isn't it?

aibanokokuhaku: (Default)
 I entered lotteries for tickets for three shows that take place between October and December.

I hit on ZERO.

I made some decisions and decided to use a reseller and go to 2 of 3 shows.
It was a hard choice, but I have already seen Arashi live twice (Japonism 2015 and WWG 2017), so I decided to skip them.

Plus, it's Kishidan's 20th anniversary this year, so I ordered tickets for: 

October 28 (Makuhari Messe in Chiba city): 2017 Halloween Party (VAMPS, Coldrain, and others will be there). I picked a standing ticket. Idk how big the standing area is, so Idk if I can get close to the stage or not. I only paid /slightly/ more than I would have had I won the ticket lottery for this show, so it's ok if I am not close.

November 9th (Ichikawa Cultural Center, Ichikawa city -- in between Chiba city and Tokyo): Kishidan only (that I know of. Do they have an opener? When I saw LM.C there was no opener, just them for 2.5 hours...) This venue has a capacity of only about 2000 people, and I made sure to pay extra for "senpai seating". I am not sure if this refers to the whole 1000ish seats on the first floor of the venue or just the 150ish that is the orchestra pit (really hoping for orchestra pit!), but I paid four times the usual ticket price for at least a decently good seat to this show, honestly.

I am looking forward to writing more reports, and hopefully I won't be too shy to talk to any members if I run into them again. I also have an outfit selected for the first concert. I am wearing an orange and black outfit in 1950's doo wop style this time to support Ranma! I bought the clothes for the Halloween Party at work that I have to do the next day. I work at an English school so I have to dress up and perform all day for small children. (The first show I went to I wore red and black and my DJ OZMA t-shirt to support Show-yan.) I haven't decided what to wear to the November show, maybe just my tour goods from the expo.


aibanokokuhaku: (Default)
 Alright, so let me start by saying this show is plenty fun, though the location is difficult to get to. I'd rather travel down to Kisarazu the day before or make my husband go with me and drive to the venue than deal with the two buses and two trains from Chiba city, especially since the venue is on the beach, meaning away from the rest of civilization. My phone service was spotty at times, and it rained on and off due to an incoming typhoon, but I still enjoyed what I could see. 

I got off the shuttle bus to the venue at about doors open (9:00am). The line for the bracelets and then from there to the venue itself brought me to 10:15am. I had to get my bearings and find the main stage quickly for Kishidan's performance at 10:30. I got there as their intro VTR was playing, and spooked some people out around me by singing along, as the song was a (DJ OZMA) cover of the Ramones' "Rock n' Roll Radio" so a random girl shouting clearly in English got people staring already. Hahaha. 

I was too busy screaming and laughing at the jokes to catch the theme of the VTR. It seems It was like a "death and rebirth" theme, and that this year would be Kishidan's final year in this "phase", whatever that means. During their set, Show-yan mentioned something about their agent being abroad right now, which had a lot of the fans in the goods line chatting. They seemed surprised at the possibility of Kishidan going abroad, even though the "Samurai Spirit Suicide" DVD from 2004 had them in Texas and California. They performed at the SXSW festival that year. 

Their morning setlist: 

1. デリケートにキスして
2. GOD SPEED YOU!
3. 鉄のハート
4. バームクーヘン
5. One Night Carnival

They did do a bit of joking and interplay with the audience, and they came out in ridiculously patterned outfits, but with only 25 minutes, including the VTR intro and outro, they kind of used this performance as a warm-up for the audience and just to say "Welcome". Still very, very fun, and when Yukki came out and made an appearance during 鉄のハート, I squealed. He came out from a platform that was under the stage, and then he took over the drum kit, banging on it with his hands wildly. He eventually resigned to singing with Show-yan, leaving Akira Kano (the current drummer) to resume his position. 

After their performance, I took to the goods line, which ate up two hours of my day. I missed seeing Tokyo Ska Paradise Orchestra and Coldrain. I could hear them both from the line and at least sonically, they seemed great. One day, you guyssss! I bought a lot of goods and I am happy I brought a backpack. I bought a ton of stuff-- a shoulder bag with matching pouch, a hat, a t-shirt, a keychain, a rubber bracelet, and a box of Baumkuchen (Club Harie made it, which their Baumkuchen is amazing, and the Kishidan x Rascals decoration is adorable).

After making myself broke, I had an intermission (where I wandered around the grounds and filmed people dancing), and then I sat at the empty stage (the other stage had Momoiro Clover Z performing) and rested, playing with a stray cat and making a friend before MUCC came out. Oh my goodness... MUCC was really good when I saw them in Detroit 9 years ago with Atreyu and A7X, but it seems their performance skills get better with age. Their set had a theme too, they were playfully mocking Kishidan and were all "we're from Ibaraki!" and came out in the standard high school uniforms, except one of them came out on this crazy ratchet-y bicycle and Tatsurou, as he is famous for, came out barefoot. They rocked hard though. Their set was the most high energy I saw the whole day, and for the first time I saw a size-able mosh pit open up. I highly recommend seeing them live. 

After that, everything becomes a blur. I remember seeing a bit of SiM and Maximum the Hormone, and wandering around the venue and running into actual Ranma and not a cosplayer (but I was too shy to approach him)... and I saw HYDE without realizing it was him until someone else posted a selfie with him later on IG and I was like, "?!?!" Why were these rock stars just walking around? They'd get kidnapped if they did that in the US... 

Because of my work schedule in the AM, I knew if I wanted to get home at a reasonable time to get ready for bed I would need to leave before VAMPS and before Kishidan's closing performance, so After Maximum the Hormone's set, I have no idea what happened. The way the trains and buses lined up was less favorable coming home, and it took me nearly 3 hours to go from the venue to my house. I can't comment on food or drinks sold there as I brought my own snacks and ion water. People seemed friendly with each other, but mostly steered clear of me. Someone was kind enough to let me know VAMPS is playing in Makuhari (much closer to my house) for a Halloween Event next month if I really want to see them... I haven't decided if I will go or not  yet. Overall, I would say this show is only worth the steep ticket price if you are a diehard fan of at least 1-2 bands performing and generally like the rest. I am not a big fan of the girl groups, but I was shocked how many people were there to see them. I don't think I'll go again. I'd rather see Kishidan perform at a slightly smaller venue, even if it means I have to enter the fanclub.

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I've been super super busy with work lately.

Also, I've been on a diet. I have lost 5kg in the past two months!

----

But..

KISHIDAN BANPAKU IS TOMORROW!

So, today I will clean the house, go to work, stop at the ATM, pick up groceries, go home, take the dog out, and prepare for bed because I will have to wake up at 5:30am to get ready and get to the venue by doors open (9:00am). I will try to buy some cute goods and make some friends and write a concert report in the days following. Actually, here is the Saturday lineup. (I will bold the artists I wanna see. Regular is main stage and Italic is side stage):

10:15~10:30 Jaguar
10:30~11:05 Kishidan (<--- the main reason I am going ofc)
11:10~11:35 Su-Xing-cyu
11:40~12:15 Tokyo Ska Paradise Orchestra
12:20~12:45 Coldrain (Idk them well but I follow Masato on IG so I may as well)
12:50~13:25 10-FEET
13:50~14:25 Momoiro Clover Z
14:30~14:55 MUCC (I saw these guys live 9 years ago in America, fun guys)
15:00~15:35 SiM
15:40~16:05 LiSA
16:10~16:45 Maximum the Hormone
16:50~17:15 DJ Dienoji
17:20~17:55 Dragon Ash
18:00~18:30 RIP SLYME (I only know one song but it's good so I'm curious)
18:35~19:15 VAMPS (My mom loves HYDE so this one is also a must for her sake)
19:20~19:50 Shiritsu Ebisu Chugaku
19:55~20:35 Tomoyasu Hotei
(closing performance) Kishidan

I really wanna stay for the whole thing but I work early in the morning the next day, so depending on my exhaustion level, I will either stay for the whole day (and get home around 23:00), or leave near the end of/after VAMPS's set (and get home around (21:00). I do wanna see Kishidan's close for the day, but it might not happen, so I have to make sure I am there early enough for their first performance of the day.

----


After that, I will finally do Part 3 of my DJ OZMA translation and I have a few other things I wanna translate before the year ends, and it's already halfway through September...

Sorry to leave this page dead for so long. Cheers!
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 Yeah, I got it yesterday, the day before it dropped since I pre-ordered it. (it's out officially today in stores!) 

Anyway, how is it?

Well, it will never beat the albums that came out during the EMI years (2000 to 2008), but I think it's a nice album to listen to while driving or writing. Because it's their 20 year anniversary album, it has this kind of old-school pop ballad feel, like old crooner hits sung by old drunken bikers??? Ahahaha. How do I describe this? So yeah, it's pretty much a pop album with a slight rock edge. I haven't watched the DVD yet, but I am sure it's hilarious!

On my first few listens, here is the track list, my favorites are in bold.

1
 
R"N"R P@RTY
2
 
スポットライト
3
 
東京湾大飯店
4
 
恋するクリスチーネ
5
 
バームクーヘン
6
 
羅武尊寓
7
 
BANG ON!
8
 
チャオ~傷だらけのバンドの旅
9
 
はすっぱ
10
 
逃げろ! 逃げろ!
11
 
フォーサイクル
12
 
蒼き独裁者に告ぐ
13
 
きかせて! アンコール
14
 
リーゼント魂

Feel free to comment below and let me know what you think of the album. Upon request, I can throw it in my dropbox for a short period of time for demo listening, but please support the artist and buy their stuff! :)

You can get the album here.
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 Who were you into?

 

Like super into? Ah, there was this muscle girl band. Yeah, the first time I saw this anomaly I was so interested. I thought, probably no one else knows or cares about this... it's strange bouncy rock... Anyway, I am crazy for Otsuki Kenji. He has shown up in my dreams before. He is like a god to me. Ryotaro Sugi's “kimi ha hito no tame ni shineru ka” was the song that got me into him, because a caller to a radio show requested it and they played it.

 

What kind of songs did you request on the radio show, if any?

 

Ah, what was it... Ousmane Sankhon's “Africa no Onna” was definitely one. (laugh) But after that program they aired a program called “Yanpara” (short for Young Paradise) so I also discovered a lot of music through that program as well as the one playing classics.

 

Was junior high school a rough time for you?

 

Yeah, it was, but it was also fun in its own right. Even though I wasn't interested in schoolwork nearly as much as I was music, it was alright. I started coloring my hair at that time and my music style was really branching out. I wasn't into the same stuff as most of the guys in the southern half of the Boso Penninsula. You would think they would, with us all living with the same radius of the same radio station airwaves, but no. So like, even though I was part of the last Yankii generation, being interested in both idols and bands and strange combinations of things, it wasn't very cool, my personal style. Even talking about it now, I can feel the depressed stage from when I entered high school. (laugh) So, then came the conflict-- I was at this school and wanted to be fashionable, like beat punk fashion. But I also didn't want trouble. So sometimes I would go into the city, change my clothes at Chiba Station, and enjoy myself outside of the countryside. I'd have my hair in a regent and put on tartan clothes or something else funky, like I was going to a photo-shoot. I was like Yuki Hyodo!

 

Hahahaha!

 

So like, I started out as a drummer, that's where these arms first came from, and so we are writing original songs, with five other members, and it is like the perfect “Nagomu Kei” band. We were writing one song at a time, but the other members were all super nerdy types. They were also funny guys, and super dark, if you know what I mean.

 

Sounds like Mie (prefecture) life during that time. The lifestyle of Yankii, band boomers, and otaku.

 

Yeah, that's right. During that time, the radio stations were playing more and more edgy music. And it seemed like so many people were trying to launch their own radio programs. For me, that space in time was probably one of the happiest. And Yankii culture was, of course, blossoming like a flower. I think had I been living and going to school elsewhere, maybe my youth wouldn't have been so exciting or interesting. Whenever I wasn't with the band, I was alone. Every Sunday I would go to the walk-able areas of downtown and wander, or hit up live houses, or whatever by myself. Of course, I could feel most excited by these things if I experienced them alone, even to the point of being genuinely moved. I thought, “Oh, this is so cool” or “I wanna be like these people”. Out of all of my friends, I was the one who spoke most extravagantly about that world and that culture. In fact, I would show off my music, playing what I had recorded on my cassette player, and people would criticize what I was listening to very harshly, like “why are you listening to that garbage? Turn that shit off!” But it was still interesting to see what everyone else thought of it, so I found it fun in my own way. At my yankii friends' houses, we'd listen to stuff like Eurobeat and BOØWY, stuff like that.

 

So in the yankii culture, people will form a bond with music, right? So in high school, what happened?

 

So, the people I was in a band with, we began meeting more and more irregularly. About a year after entering high school, Kisarazu had this event, like a party. So like, I went there, and there were so many people of so many types. People were dancing like crazy, partying hard. It was awesome! Everyone there was really good-looking. Up until then, I thought I was the only good-looking yankii boy in the whole scene, but I couldn't compare to these people. I looked like “that hot guy's friend”. Like I was just their little “middle schooler friend” even though I was in high school. There were lots of rockabilly and punk types there. And lots of bikers. I was surprised, 100 percent knocked out. “I am meant to be like these folks! These are my people!” I thought. So from that point, there was no turning back...

 

Ahhh....To be honest, I think I know what event you may be talking about. (laugh)

 

It started at about 9pm, and it would only last about an hour or two. Afterward, everyone would go to a cafe near the train station and some people would stay until nearly morning. At that age, I didn't have much money, but I looked forward to going to this event as often as possible. I was very fond of one senpai who was this psychobilly dude, and he was very massive and strong-looking. I was the only person he seemed to acknowledge most of the time, which made me happy! We began doing the pogo dance at these events. I had no idea if it was cool or dorky, but it was fun. So we would dance to a lot of crazy rockabilly and psychobilly songs, with that punching upright base guiding us through our movements. The DJ would also play 70's punk rock and Japacore (Japanese hardcore), rockabilly, Nagomu Kei, anything that had a strange style to it, that kind of mix. I would seriously bring a memo pad in my pocket so I could make a note of anything I really liked. In the middle of the songs I would ask my senpai “Do you know this song?” and make a note of it. If no one on the floor knew, I'd ask the DJ if he wasn't busy, or the staff. Every day, I was always looking for new music. I also started hanging out with older people, maybe 5 or 6 years my senior. I wish I could go back in time and help pull myself out of that circle sometimes, but at the same time I don't, because where might I be today if I hadn't gotten dragged in with some of those folks. It wasn't all happiness from this point. Anyway, a guy two years my senior invited me to organize an event, but I figured maybe I didn't have enough of a network to do it on my own. My senpai and I chose the location and began planning on our own. I was maybe almost 17 at this point. I had to handle tickets, design, flyers, everything. People started trying to suck up to me because they wanted free tickets to events, but I was keen on that from day one. People would be like, “But I know this guy or that guy, or whomever, why do I have to pay?” The tickets weren't even expensive. I thought, “What the hell are these people saying?” I am just a high schooler trying to help my friend. I am not some king organizing anything exciting. Why are these people like this? This isn't like the number one event in the world, and neither were any of the subsequent events I tried to plan. It made me a bit hot-headed. I went to all of the older guys and said, “Why aren't you doing this yourselves?!” And they were like, “You have such an attitude!” One senpai, that we called Ken chan, stood up for me. He said, “He's not just some small ass boy!” Which made me feel better. I felt much better after these events than before them. After he stood up for me, I actually found him crying later on, I guess he really pissed some people off. Anyway, he became my closest friend at that time. That guy happens to be who you all know now as KING. He had gone to a different high school and was very popular in his area. I hadn't thought much of him until he stood up for me though, so I am thankful for that moment.

So I was talking to him and was like, “let's start a project together and let's host our own event!” We became close very quickly. We didn't understand how to do the whole DJ thing at that time, I knew I was bad at it at first-- but I already had some turntables at home, so I felt I could already technically call myself a DJ. (laugh) We didn't know what we were doing, but we also didn't want to strictly be a cover artist. People had no clue what we were up to. They thought we were going to make another rock band or were working on something else, but then we recorded two songs. Not long after we were invited to an event where we performed just those two songs as a duo, opening for 5 other bands for an audience of maybe 20 people. But I remember thinking, “I just have to show people who we are” and at these early performances, you bet I was recording every little bit so I could give copies to people. And the copies to people I knew well I added a personal message as an intro. More and more people became interested in these demo tapes with a personal touch, and so I was a senior in high school, but busy with this project. I also began working part time at a T-shirt shop, which helped us to print our first shirts. I thought, “damn, this is fun!” As I started thinking about what companies to try entering after high school, I thought about being an event planner. I wanted to get myself into a position where I could promote good music as well as myself, but also get paid for it. Even now, I think promotion is a hugely important part of being a musician. 

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**Translator's note: Any inconsistencies in DJ OZMA's responses or confusing spots are intentional and are there in the Japanese version. It is obvious Showyan (also not his real name, btw-- just his most popular character) had trouble keeping up this character in interview... Enjoy this interview for what it is!**


 Real Life? Fantasy?

We hope to uncover the truth about DJ OZMA with this 20,000 character interview!

Take a Kpop hit, remix it with a Eurobeat using a computer program, change the lyrics completely and reusing the song yourself, and what do you have? The formula for “Age Age Every Night”, according to DJ OZMA himself. The act consists of three people, our main writer OZMA, as well as dancer/vocalist KING and dancer/rapper PANCHO. Their general attitude is, “Every song we make is intended to be and will become a hit”, so that is the goal of the DJ OZMA project. With this in mind, the trio have to continually come up with unique-yet-"danceable" ideas. DJ OZMA's debut album, “I Love Party People” is one of the best-selling albums of the year, yet surprisingly, when we contacted DJ OZMA for this interview, his reaction was that of shock. “You want to do a 20,000 character interview? For real?! That seems ridiculously long, what am I supposed to do, give anecdotes?!” But he quickly switched to, “alright, let's have a nice talk”. For those who are interested in knowing who exactly DJ OZMA is, read on!

 

First, your birthday and name please.

 

I'm Tankoba Kibaji, 90 years old.

 

Hahahaha.

 

My real name is Ozumano Sumitada. I was born April 26, 1982. It's my year this year! (*Year of the dog)

 

Your naming sense is awesome, but that is just your character, right?

 

But it's not a character! It's my old man name, like if you take my name and go down my family history, you will find that last name in my family tree. My ancestors!

 

Where are you from?

 

I am from Chikura city, Chiba prefecture.

 

But that's close... Sly...

 

What's that?

 

Nothing, nothing...What kind of place is Chikura?

 

There are some good fishing spots and some nice snow, but it is otherwise not a notable place. The atmosphere is... everyone keeps their shutters closed, it's always raining (or snowing), if you do see something out of place, like open shutters, they will quickly slam closed before you can really think much of it. Slam! Like that.

 

What is your family like?

 

There's my dad, mom, me, a younger brother, and a younger sister. My parents are, uhhh... thieves.

 

Hahahahahaha.

 

Well, dad is a thief, but mom is a full-time housewife. So she's a thief by association, really. (laugh) Incidentally, it's been 19 years since the last kid has been born, and our home is like a warehouse. So we grew up surrounded by items likes iron masks. Really, it was probably difficult on my family to have me around, because I always ate a lot. I really like eating processed fish sausages in particular. I also make lots of small pleasant sounds while eating, like “mirimirimiri” or “hohohoho”. I've been like that since I was little.

 

How long do you plan on keeping this up?

 

Hmm? Keeping what up, ah! Speaking of keeping up, usually when I would go to school, like, on the way back home, I'd stop at the field and think about life. I had to be careful, because I'd sometimes also turn and stare at the lines in the road, but cars would sometimes be coming down the road too! I'd always be paying attention to these little details but also spacing out. Like I couldn't remember anything important, but you bet I could recall the numbers on the cars' license plates. Like, “Oh, there's 4-26 again!”. Like that.

 

What's your dad like?

 

He's the very cheerful type. He was always laughing and smiling at home. I guess you could say he is a very “Showa” dad. He likes fishing and drinking sake. On the occasion he did get mad, he would be quite loud and scary though. At those times, I'd be jealous of other people for having more quiet dads, but I wouldn't dare say it. He was very popular at the bars, but out in public he was always having fun. Most dads are quite different at work than when out drinking, but I don't think he was that different.

 

His company... Was it like some kind of thieves' guild?

 

Hehehehehe... I can't really say much about what the company is. I wouldn't want to get anyone in trouble, but it definitely isn't typical.

 

Hahahaha. It's okay. I get it. How old were you when you first got into music?

 

Uh... My first year of elementary school. I had to sing with my class around Christmas time. I was just a child, but my attitude toward performing music wasn't very childlike. I took it a bit too seriously but enjoyed it, even back then.

 

So it's easy for us to see how that progressed into the career you have now.

 

(laugh) Yes, but the next step in my evolution came around the last year of elementary school/first year of middle school. We had to do some sort of talent performance. At that time, I met with my cousin for rehearsals, and we sang a song called “Candy, Candy” that my cousin had written. My younger sister and I went to the same school. So my sister played the piano part, and in a sense my sister and cousin were my first bandmates. Her playing was very pretty-- When I think of that performance from long ago, a lot of memories come flooding back. Before then, I was only singing for myself-- in the bath, for example. So it was my first time to sing in front of others. My timing was off from nervousness, and I thought everyone was mad at me for messing it up, so I just kept on a big nervous grin. I must have looked stupid, because the audience was cheering loudly, but also roaring with laughter! Boys and girls alike were like, “wow!” and so I knew from that moment I wanted to keep performing, and I definitely wanted to make people laugh. So I guess that is how DJ OZMA was born.

 

What made you decide to use a Kpop song for your first single?

I was thinking that recently, Kpop's popularity has been on the rise. So I thought, if I do something interesting with it, maybe it will make a good track to break into the charts with. I wanted people to hear of me for the first time and go, “Ah, this guy's interesting!” I thought there was no better time than now. I also had to think about what words to use the first time I introduced myself. Seeming like a “hang loose” kind of guy and releasing a dance-able first track during summer break seemed like a nice idea. ...I've always tried to move up in the hierarchy of things, but I a always amazed by the reactions of others. For example, I was the kind of guy who played soccer in school, and became popular as team captain, but was surprised at the social results of it. A lot of girls had started talking to me unexpectedly, and following me around....

 

Oh, so did you have a, “Ah! This is first love” kind of experience then?

 

Hmm, my first love was when I was young, maybe fifth grade.

 

How were you able to catch her attention?

 

Ahahahaha! Well, I was always trying to chat with her, just about everyday things. I dragged that out for a while, but finally confessed to her one day, and we became boyfriend and girlfriend. Her name was Yuka, and she was 3 years my senior, actually. Even though we were young, she was definitely the first girl I loved. We had a lot in common and we dated for a long time. We were always hanging out. However, she didn't give me that heart-racing feeling, and our dating seemed so domestic. This one time, so like because of soccer, I had to go to a soccer club party. And like even though I was wearing my new 6th grade uniform, these uniforms were super cool-looking. The other kids at the party were looking at me because I was the oldest and the only one in the 6th grade uniform. So at this time I decided it was the perfect time in life to push myself even more... I was always practicing, and I felt like I got a lot of power from this uniform, you could say. But I felt this was more important than my first love. Even into high school, after my first love, I continued with soccer because I still really loved it. In high school, we had a match with the municipal Funabashi team (*a big team for Chiba area). I was so out of it that day I was worried I would do a poor job, so I brought my old uniform to look at and motivate me. I was able to score a lot of points, so to this day I still keep that uniform tucked away.

 

Did you first love ever watch you play?

 

Actually, no she didn't! (laugh) But I am the kind of guy who if I like something and want to do it, I am motivated enough whether other people are pushing me or not. I could feel the love of soccer emanating from myself. I remember on Culture Day, I was always the kid who pushed himself the hardest. Because of that, I was always moving up, so to speak. I also began working in high school and had the same attitude there. I always felt that was part of my appeal. If I work hard, people will like that. Being on a stage, you have to “be the attraction” so you can't do anything except work hard. I am moved by the opportunity, but I feel the opportunity itself is earned. Even as a child, kids would want to play and hang out, but even in elementary school, I was taking my studies and activities seriously. Because of that, I had no friends really until soccer club in middle school, and my first few friends were girls. Slowly after that, my circle widened to 15 friends, but we didn't meet much because of me being busy. They were all girls, and I had their names, addresses, phone numbers... I was kind of crushing on them, so on this paper I wrote what I liked about each of them... When you first hear this, maybe it's kind of confusing so you're like, “What???” but at about that age I was starting to think about intimacy, and so even though I didn't get anywhere with them, my mind was reeling.

 

Did your position on the team reap any rewards for you then?

 

That was the first time, from there I began thinking like that about girls. From then, I thought a bit about it in a spacey manner, and I was always thinking about how to talk to girls romantically, like what words to use, how to sound poetic. I always had to be careful, because once my mind and heart were racing, I wouldn't be able to put on the brakes! Even now, if I think of something and express it well, … something will happen! If I take just a moment to turn over the situation in my mind, I can use timing and the right expression to sway a woman, just “now is the time!” and go. You know? I am sure elementary school me didn't expect all of this just from soccer. Three years later, people looked to me as a hero at my school. I felt like, “this is my town!” so my way of speaking and thinking started to change. (laugh) I kept a diary, something that I could use to look at how I felt and what choices I made during that time, so that I could reflect on myself even until and after I die. (laugh)

 

Did you go to a super rural school?

 

Yeah, I went to Susai Middle School in Kimitsu, Chiba.

 

Not in Chikura? (laugh) What about music?

 

Yeah, I changed schools a lot. When I entered the middle school, Yuka was already in the last year of middle school, and I gave her a red double radio cassette player. So I would make her mixtapes a lot. Included in the mix of the first one was “Restaurant” by The Blue Hearts. And after that, “Checkers”. After that “Refrain ga Sakenderu” by Yuumin. And uh, “Koibito ha Santa Claus”. So, it must have been around Christmas time. Toshinobu Kubota was also on the tape. Well, if you listen to even that much, you can probably understand my heart. That Christmas, I used my own money to buy myself a matching red double radio cassette player. I would use it to record the audio off of music programs from TV as well, so I could in some sense capture the performances. On one date, we saw Hikari Genji, and I was so surprised. Seeing him was cooler and more fun than on the TV. I had listened to my recordings of him from the TV before, but this was different. I could understand how amazing his arrangements were. I was probably listening with more caution and detail than the other kids there. Of course, even getting the recordings from the TV or radio was tough in those days. If the MC cut in to introduce the next song early, you had to start all over again. I recorded probably, I don't know, 200 cassette tapes in my youth. 

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For people who like the ocean or barbecuing, summer fun has no limit!


With the theme of “Let's Have Fun This Summer!”, Aiba shows off his big smile while playing with a beach ball and a blow-up dolphin. It has that, “Let's go play!” kind of vibe, and Aiba made sure to give a warm atmosphere to the staff, even though he is a top star. If we ask him about summer, what would this kind of man say?...


It's my favorite season! When I was a child, during summer vacation I would always ride my bike the the pool or the ocean. From three years old, I was able to swim, so I really love being in the water. Even as I began working, I would go with Tacky and TOKIO's Yamaguchi to the ocean in Chiba and go surfing with them. Summer has that “endless playtime” aura to it so I love summer!


When I heard your plans for this year, I thought, as expected, Aiba wants to go to the ocean!


I really like the local beaches. The ones in Chiba are so pretty. I can't say the name here, but my favorite beach has such gorgeous water, and you can see so many fish in the water. After I go there, I like to do a barbecue. If you barbecue right by the river while drinking a cold beer, that's the best... Anything you eat while in that environment will taste amazing. I am looking forward to this summer!

As the summer begins, your currently airing drama (Kizoku Tantei, Fuji TV) is coming to an end. I've seen a lot of detective dramas, but there is something new about this air of nobility coming from your show.

Ah yeah, hearing people's impression of this drama has been interesting. I am not my usual self in this program, and so it is fun and interesting to know what other people are seeing when they watch it. The show really makes people think, too, as while the details are revealed at the end, it takes some additional extrapolation to figure out all of the character's intentions throughout the course of these investigations.

There are so many interesting objects in the filming. Is there anything on set you wish you could take home?

I have to be careful about this one, but there is something that I wish they would promise me I can have. I don't know if they will let me, as it is probably a rare item. I am really hoping for some reason they offer me the item I want because from the first time I saw it on set I spent a lot of time oogling it. (laughs)

With this drama riding on the novel's name, do you feel interested in knowing more about the novels or what makes a true detective? I was surprised at the true nature of the “Nobel Detective”! (****NOTE: spoiler alert below!****)

Right! My character was suspected the killer this whole time, so anyone who hasn't read the novels might have been surprised by that, though maybe as they were watching they were able to pick up on that before the last episode. I had heard about it from Yutaka Maya (the author), but if she hadn't told me ahead of time... (laughs) If anyone else would have told me my character was the one behind all of the mayhem I would have thought they were joking. Most of the drama seems light and airy, but in the final episode all of the events and their connection to my character gets revealed, and it becomes much darker. (laughs)
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Who is the best at using chopsticks? One of you? Aiba?

Today's theme is “the power of the vessel”. I guess it is dealing with extreme dexterity.

That has a clever image. I would say using it in a crowd is hard.

(laughs) What about catching a tennis ball? That's extremely difficult.


They're so big so that's what makes it hard.

I forget the details, but when I was little I practiced something with 6 chopsticks. If you can actually do it well, it is a good trick and increases your confidence. You can use it anywhere (laughs)

That's not something I would think of doing at home. (laughs)

Did you practice with chopsticks when you were a child?

I'm left handed so I practiced using them well a lot.

I still need to practice. Like still, if I am eating fish, I cannot separate the fish bone from the flesh beautifully yet. I'm not good at it. Aiba definitely has the upper hand there.

That's true.

You can do it pretty well too though, Nino?

Somehow. I am glad that you noticed it!

I thought so when we would eat together at work.


I am always buying convenience store food during lunch break, so I use those wooden chopsticks a lot.

Test: Who is more dexterous with chopsticks? Sho or Nino?
Rule: Measured by who can transfer the balls (various sizes and types) in 30 seconds.
Time Up! Final Score: Sho – 9, Nino – 8. WINNER: Sho!

The pair had to move the balls from the navy blue basket to a gray basket. If they moved their body with their arm, that ball didn't count. Sakurai had started with the tennis ball, but he quietly gave up on it, whispering, “Ah, it's useless”. The tennis ball was the only one Sakurai had left, but Ninomiya had both the tennis ball and a small green ball in his navy blue basket at the timer.

aibanokokuhaku: (Default)
*(translator's note. I kept switching between using handsome and manly to describe the concept of 男前 because I felt both were important to the concept. Enjoy!)


Arashi's Aiba Masaki on becoming a "handsome (manly) man".

SPECIAL INTERVIEW Arashi's Aiba Masaki talks about how he decided to become a "handsome man" and what it means in his own words . In front of distinctive coworkers, he still embraces a rather modest persona. However, he is, unquestionably, at the top. That is Mr. Aiba Masaki. He will play the leading role in a new drama this spring as well. A man who the era seeks to look upt to talks about what it is to be "a man," and what is work.


--

Well first, what is it about "handsome man" as an idea that intrigues you?

Predictably, I think handsome men are gentlemen. They can follow the rules, but are also smart. When I was young, I was in that headspace where I liked being on the edge and choosing when I wanted to break the rules or not. But as I have gotten older, I now feel that following the rules whenever I can will make me a more flattering man.

That portrait you painted just now, in my mind, is like Ken Takakura in "Black Rain".

He is really cool. Of course Yusaku Matsuda is too, but Mr. Takakura definitely! When it comes to someone with my image of a handsome man, there is no comparison.

Alright, my next question is a bit of a toughie. So, Takakura is no mizer-- it was always easy to understand his intention. In that way, I can get a very Aiba-esque vibe from him. From this spring, during Golden Time (20:00~22:00), you will be playing a protagonist in a drama. It has been 8 years since your first Golden Time drama and you had one in 2015 as well. What changes in you are you conscious of during this time?


From the first drama that is when I felt I had made a name for myself. I felt a lot of responsibility and fighting spirit, which seems pretty natural to me. The directors made sure to really relate to me that the lead character this time is going to be stronger than what I have done before, and to think of ways to make myself stronger in preparation for it.

You had to then become more strong in order to produce a better result as an actor. I guess there are directors like that, eh? But it wasn't just for your acting life that you have been changing.

It's not easy. I had to inspire myself to produce the level of depth needed.

Steadily, you seem to be making your way to the top of Japanese showbiz. To be only 34 years old but want to have a handsome, masucline image gives off a very professional, business aura.

Is that so? Work is something that we all have to do, but I think I will be happy as long as I have no regrets. Sometimes, I make mistakes, but if I worry less about the result and more about putting in 100% effort, then I can move forward. I also take things one step at a time.

It seems perfection is impossible to find, and that is just one facet of reality you have been contemplating.

But with work you have to pretend there is a perfect, or at least an end goal. Otherwise, you will have no motivation to complete tasks. Work and private life in and of themselves don't provide enrichment. [You need a blance of both.] To just work constantly is strange, isn't it?

Strict work seems to have made Aiba into a passionate actor. Work has both its challenges and rewards, its dull and important moments, so you have found a way to live [and thrive] in these challenges.

I have come to appreciate how much I can really do. At first I had no idea what kind of person I would become or if I could handle this lifestyle. But we only have one life. I had times where I was anxious, scared, and nervous. But because of those memories too, I have to keep working hard.

(And so he continued to elaborate.)

But as soon as one hurdle is cleared, another one comes. It will continue like that until the end. It feels like a struggle at times. But I want to be in a place where I don't struggle, but for everyone, even me, it seems impossible.

We all continue our personal struggle. But with your new charisma, the beauty of your struggle in this era will be something others seek out for themselves.

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